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Interview: Steve Wilson

It was a while ago when I graduated from my Fine Art Degree, 2001 to be exact. Times were different then. The millennium had been and gone and we all survived, although there had been talk of Armageddon and people were definitely storing tins of food and thinking about digging panic rooms. This was a time before social media, to be fair the best thing about the internet then was the search engine, Ask Jeeves. We had no idea about digital magazine, AltBlackpool was just a glint in our editors eye.

Fast forward to 2016, every year the online arts magazine The Double Negative invites art schools across the northwest of England to nominate one outstanding student to feature in their article ‘Class of 2016’. The article aims to spotlight the region’s top fine art graduates and demonstrate the artistic diversity of our creative institutions.

Blackpool based Steven Wilson was nominated by Ann Carragher, Fine Art Lecturer, and Nick Kowalski, Programme Leader Fine Art here at B&FC. Through a Baudrillardian perspective, Wilson re-contextualises iconic images, sounds and brands which encapsulate and embody our relationship with “non-human things”. His works reinforce aspirational ideals, created and consumed through a system of proliferation, seduction and commodity fetishism. As a participating university, UCLan’s gallery space ‘The Hanover Project’ is the first to host the group exhibition and gives the viewer the opportunity to explore a range of disciplines including film, painting, sculpture, installation and performance.

I caught up with Steve to ask him a few questions about his nomination and subsequent future career.

By Claire Griffiths

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