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A hush fell over Blackpool this morning as World War 1 soldiers took to the streets, trains and buses of the town. There was an air of mystery as they handed out simple cards to anyone who spoke to them, each bearing the name of a young man who died, one hundred years ago, at the Somme.

Arts organisation LeftCoast were behind bringing the huge living tribute to Blackpool, being a part of a national project which involved hundreds of volunteers in the North West alone.

Led by the Royal Exchange Theatre, partner organisations LeftCoast, Bolton Octagon, Oldham Coliseum and Storyhouse (Chester) were part of a UK-wide modern memorial to mark the centenary of the Battle of the Somme. Commissioned by 14-18 NOW, the UK’s arts programme for the First World War centenary, the work was conceived and created by Turner Prize-winning artist Jeremy Deller in collaboration with Rufus Norris, Director of the National Theatre.

We're here because we're here
We’re here because we’re here

The specially commissioned event saw around 1500 voluntary participants dressed in First World War uniform appear unexpectedly in locations across the UK. The Royal Exchange was one of 27 organisations which collaborated on the work, called “we’re here because we’re here”. It was produced by Birmingham Repertory Theatre and the National Theatre, working in close collaboration with partners including: Lyric Theatre Belfast, National Theatre of Scotland, National Theatre Wales, Northern Stage, Playhouse Derry-Londonderry, Salisbury Playhouse, Sheffield Theatres and Theatre Royal Plymouth.

The project breaks new ground in terms of its scale, breadth, reach and the number of partners and participants involved. This is the first time three national theatres have worked together on a joint project, and the first time so many theatres have worked together on a UK-wide participation project.

See how it unfolded in Blackpool here:

The participants wore historically accurate uniforms, representing 15 of the regiments that suffered losses in the first day of the Battle. The soldiers did not speak, but at points throughout the day would sing the song ‘we’re here because we’re here’, which was sung in the trenches during the First World War. They handed out cards to members of the public with the name and regiment of the soldier they represented, and, where known, the age of the soldier when he died on 1 July 1916. The daylong work ran from 7am to 7pm and covered the width and breadth of the UK, from Shetland to Penzance. Sites they visited included shopping centres, train stations, beaches, car parks and high streets – taking the memorial to contemporary Britain and bringing an intervention into people’s daily lives where it was least expected.

We're here because we're here
We’re here because we’re here

The volunteers were men aged between 16-52, reflecting the men who would have fought in the Somme. They were not trained actors but come from a range of professions, including a sheep farmer, flight attendant, doctor, lawyer, social worker, shop assistant, portrait artist and GCSE student. They came together to rehearse in theatres across the UK over a month-long period in the run-up to the performance. ‘we’re here because we’re here’ is one of the largest arts participation projects ever staged in the UK, with hundreds of additional volunteers working behind the scenes.

Jeremy Deller said: “I wanted to make a contemporary memorial to mark the centenary of the Battle of the Somme, one that moved around the UK with an unpredictability in which the participants took the work directly to the public.”

Rufus Norris, Director of the National Theatre, said: “This work by Jeremy Deller is a truly national piece of theatre and is a powerful way to remember the men who went off to fight 100 years ago. I also hope it will serve as a catalyst to strengthen ties with theatres and communities across the UK.”

Jenny Waldman, Director of 14-18 NOW, said: “1 July 1916 saw 57,470 casualties on the first day of the Battle of the Somme, of whom nearly 20,000 died: it was the bloodiest day in British military history. Taking part in ‘we’re here because we’re here’ has given hundreds of young people across the UK the chance to find out more about the Somme, and in some cases discover the stories of family members who fought in the war.  Working alongside brilliant artists, directors and theatres on this astonishing project will be an experience they will never forget.”

Sarah Frankcom, Artistic Director Royal Exchange Theatre, said: “When I was asked if the Exchange wanted to be involved in this project the answer was easy – Yes. Jeremy Deller has created a powerful and provocative performance which the whole of the UK can experience together in a single day. It has been an incredible opportunity for our participants and an extraordinary way for them to find out more about the Somme and to share it with people across the whole of the North West. It has also been a great way to cement relationships with arts organisations across the country.”

Julia Turpin, Executive Director at LeftCoast said: “LeftCoast is delighted to have been a part of ‘we’re here because we’re here’ working with Jeremy Deller and some of the country’s leading arts organisations.  It has been a totally unique opportunity for men in Blackpool to have been involved in this living memorial – their generosity and commitment to this project has been outstanding”

The project was supported by: Aberystwyth Arts Centre, The Belgrade Theatre, Bolton Octagon, Bristol Old Vic, Storyhouse, LeftCoast, Leicester Curve, Nuffield Theatre, Oldham Coliseum, Pontio, Shetland Arts, Sutton Coldfield College BMet, The Artrix Bromsgrove, The Garrick Lichfield and Volcano.

‘we’re here because we’re here’ was made possible by an Ambition for Excellence Award from Arts Council England, with additional support from Paul Hamlyn Foundation, Creative Scotland and Art Fund. 14-18 NOW is principally funded by the National Lottery through the Heritage Lottery Fund and Arts Council England, and by the Department for Culture, Media and Sport.

You can find out more about “we’re here because we’re here” here.

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